This post might at first seem to have a rather explicit agenda – to persuade you to come and see my play – but actually I just want to write a little something about it (sadly, Facebook is where the aggressive self-promotion happens at the moment!). Although of course I’d be delighted if you did come and see it.
Method is my second full-length play, although it’s the first to be properly produced. And it’s also the first play I’ve ever directed. Putting it on, therefore, has been a fantastic and challenging exercise in many respects, but one that I have absolutely relished. I’m wary of speaking too soon, as I know how much hard work the next few days require (we open on Friday 6th December!) and how much could go wrong in the short time we have, but so far it has been nothing but a pleasure. I’ve been lucky enough to work with a very talented and committed cast of 8, and alongside an extremely hard working and equally talented creative team. Special kudos must go to producer Elisha Owen, and to filmmaker Paul McHale, whose skills I could wax lyrical about for hours (and have done to many friends already!). But instead of doing that, I think I’d rather show you this trailer, so you can see for yourself:
Method is a play about blindness, both literal and figurative, and concepts of performance, in life and in art. I first conceived of it in Spring 2012, wrote Act 1 in Scotland in October 2012, and finally finished Act 2 in July this year (having taken a necessary sabbatical in order to focus on the small matter of my degree!). I then tweaked it over the summer, following a read-through of the first draft with some superb and willing actor-friends, before starting rehearsals in October. So it’s been a long time coming, and I am a different writer now to the one I was when I sat down to pen (read: type) the first scene almost 18 months ago. But that doesn’t mean I’m not proud of the script. I absolutely am, and I’m even prouder of what we have done with it. The play involves a lot of digital theatre elements, principally the film projections, and about this I am particularly excited. The potential for interaction between live and recorded performance has always interested me (indeed, it’s something I intend to explore even further in The Hitchhiker’s Guide to the Family) and Method is my first foray in to this area. Whether it works will become clear as the week plays itself out, or perhaps it will never become clear, but either way I think the production will contribute something new and important to the University of Birmingham’s theatrical landscape. Fingers crossed.
Oh, so you are interested in coming to see it? Well, you should’ve said sooner! Tickets can be reserved by writing on the wall of the Facebook event, or, if you’re not the Facebook-ing type, by emailing Elisha Owen on firstname.lastname@example.org
Method runs 6th – 8th December 2013 in the Amos Room at University of Birmingham’s Guild of Students. Tickets are £4 Watch This members, £5 concessions, £7 standard.